1. "Foreword," Artifice (1995), n.2, p. 7.
  2. Anna Price, "Orlan," Artifice (1995), n. 2, p. 46.
  3. Price, "Orlan," p. 46.
  4. Jennifer Bloomer, "The Matter of the Cutting Edge," Interstices (1995/6) n. 4
  5. Jonathan Hill, "Licking Space," Artifice n. 2, p. 88.
  6. Price, "Orlan," p. 47.
  7. Price, "Orlan," p. 48.
  8. Price, "Orlan," p. 47.
  9. Price, "Orlan," p. 47.
  10. Richard Wilson, "Richard Wilson interviewed by Jeremy Till," Artifice (1995), n. 2, p. 28.
  11. Price, "Orlan," p. 47.
  12. Peter Cook, "...They Came to London," Artifice (1995), n. 2, p. 71.
  13. The relation of the cutting edge to images of the land and the female body are made explicit by Jennifer Bloomer:

    The persistent metaphor of the cutting edge belongs partially to the heroic narratives of conquest of the unknown, that is, the unexplored. And in the narratives of the exploration of the "New World," the protruding blade ever inscribing the frontier is the protagonist of a consistent allegory: the sexual conquest of a virginal female body of seductive material richness.

    Bloomer, "The Matter of the Cutting Edge"
  14. Bloomer, "The Matter of the Cutting Edge"
  15. "Foreword," p. 7.
  16. Beaconsfield, "A conversation between Greg Hilty of the Hayward Gallery and Nicholas Logsdail of the Lisson Gallery with interjections by Vienese artist Franz West," "Public and Private," Accompanying Dialogues, Artifice (1995), n. 2.
  17. John McHale quoted, Mark Wigley, "Recycling, recycling," Interstices (1995/6), n. 4.
  18. Matiu Carr, personal correspondence (3 April 1996).
  19. Bloomer, "The Matter of the Cutting Edge"
  20. The action of orbit locates specifically the orbit which constructs contemporary notions of the solar system - specifically that which sites the earth which McHale, as Wigley points out, constructs as one house. The Artifice 'home' page perhaps enlarges this already inflated house siting the galaxy as interior and home.
  21. Matiu Carr, personal correspondence
  22. Bloomer, "The Matter of the Cutting Edge"
  23. Bloomer, "The Matter of the Cutting Edge"